Finally, I am gluing the soundhole reinforcement braces, the upper transverse brace (the one right above the soundhole), and the "popsicle stick" brace.
These braces are glued flat --- they have no radius sanded into the bottom of the brace, as this makes it unnecessary later to sand the upper bout of the soundboard flat (so the fingerboard will lie flat on the soundboard).
Tomorrow or Monday, I will start shaping the braces and "voicing" the top. |
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Later . . .
Removed the go-bar sticks, and here is the top, with all its braces glued on and ready to be shaped.
I'm gettin' real excited now.
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Tuesday, March 11th, 2014:
Brace Shaping Begins!!!
Yesterday I had a little bit of time to work on the brace-shaping.
I used a couple of chisels (my curved glue-clearing chisel from LMI and a 3/4" Marples chisel). The curved chisel was good for first "triangulating" the braces (changing the brace from a square shape to a triangular shape), and the straight chisel seemed to work better for scooping out the scallops and ends of the braces.
This is the first rough shaping of the braces. Today I will refine the brace shapes, tapping the top as I go along to try to hear what the shaping is doing to the tap tone of the top. Kent Everett (on his DVD) says that what he shoots for is a sound that kind of has two stages, an initial sound followed immediately by a softer sound, before the sound dies out. It's very subtle --- when I was watching the DVD, I couldn't really hear the two stages as he would tap the top at the bridge plate (with his knuckle). However, as I tap what I've got so far, I THINK I am starting to hear what he means. I'm not sure if the two-stages of the sound are supposed to become clearer or more distinct as you continue shaping the braces, or what --- or when you can tell when you're done. But we'll see....
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Here's what my floor looks like at the moment --- this is the kind of mess carving braces produces.
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