Here's my fingerboard, after I've installed the frets. I seemed to have lost ("misplaced"?) my fret press caul (which I use in the drill press) -- I spent an hour unsuccessfully looking high and low for it. So...I had to resort to hammering in the frets using my deadblow hammer. I run a small bead of Titebond glue on the tang before I pound the fret in. Before I hammered in the frets, however, since this is a bound fingerboard (bound in ebony), I had to undercut the tangs. This was easily done using my Stew-Mac fret tang nipper. It does such a clean job of it, it's a joy to use! I have not yet trimmed the fret ends flush to the fingerboard.

Oh, yeah....In case you're wondering why my fingerboard is missing two frets (the 3rd and 11th)....I haven't installed those yet, because I have drilled two tiny holes in those two fret slots, so I can use tiny pins (actually nail brads) to later position the fingerboard onto the neck. I will install these two frets after I have glued the fingerboard to the neck.

BELOW: Installing the frets puts a little backbow into the fingerboard, so I always clamp the fingerboard straight using the method below:

 

Here I have routed out the three soundhole rosette rings, and I'm test-fitting one of the plastic purfling rings.

TO THE RIGHT: I have glued in the rosette rings using messy Duco plastic model cement. In a few days I will pull out teflon spacer strip in the middle ring and inlay the green abalone purfling.

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